Tag: Improve Your Piano Playing


Piano-Yoga® Sessions in Paris

April 19th, 2017 — 8:40am

Due to popular demand, after the success of Piano-Yoga® sessions in London and Nice, GéNIA will be bringing Piano-Yoga® sessions to Paris! The sessions will give an opportunity to musicians and amateur pianists to learn in-depth about the Piano-Yoga® method and get advice directly from its creator, concert pianist, pedagogue  and composer, GéNIA. Taking place in the heart of Paris at one of the best piano stores, Paul Beuscher, the Piano-Yoga® sessions will take place on Tuesday, 16 May.

GéNIA- Piano-YogaSessions in Pariis

What is Piano-Yoga®? Piano-Yoga® is a unique method of piano playing, performing and teaching designed for all levels of pianists. It has been created and developed by Russian virtuoso pianist and educator GéNIA.

This multi-dimensional method combines the fundamentals of Russian piano schools with Eastern philosophies, particularly yoga. The aims are focusing your piano practice, improving concentration, effectively building strength in the muscles which work the fingers and hands, establishing good posture at the piano and conquering performance nerves amongst other topics.

Piano-Yoga® radically improves technique and unblocks tension. The method promotes noticeable progress on the piano by utilising the principles of movement, gravity and breathing thus forming a more organic approach towards piano playing. It can also be used as a stress management technique. In the heart of the method lies Piano-Yoga® book ‘Transform Your Hands:10 week course of piano exercises’.

Piano-Yoga® draws on specific methods which encompass the holistic personal development and well-being of the player and as a result helps to open and connect both mind and body.

Who would most benefit? Professional musicians, piano teachers, amateur pianists of the intermediate and advanced level, young people from the age of 15 upwards and children with the supervision of parents.

How can Piano-Yoga® session help you? Prior to the session we would encourage you to fill out our Piano-Yoga® Assessment Form, which will be sent to you once we confirm the booking. The form will allow you to focus on your most important pianistic questions, which could range from technique to post trauma rehabilitation issues, also performance nerves, organisations of piano practise or a simple tiredness during and after your practice.

About GéNIA: Described by The Times as ‘an outstanding musician’, Russian virtuoso concert pianist and composer, GéNIA, is an acclaimed pioneer on the classical music scene, with numerous TV and radio appearances. The founder of Piano-Yoga®, ‘the first entirely new piano technique to emerge in over 50 years’, GéNIA was taught by her great-grandmother, the renowned pedagogue Regina Horowitz (sister of pianist Vladimir Horowitz) and studied at the Guildhall School of Music and Drama & Trinity College of Music in London, where she received numerous awards and prizes. GéNIA gives masterclasses, workshops and Piano-Yoga® retreats worldwide, whilst running her Piano-Yoga® studio in Central London. Her Piano-Yoga® has been featured in most music publications in the UK. In 2012 she launched live series of Piano-Yoga® lessons on BBC London Radio 94.9.

Location: Paul Beuscher Shop, 17-27, Bd Beaumarchais,75004 – Paris

Booking: Tickets can be bought in advance via our website or by giving us a call on +44 (0) 20 7226 9829. For further information email us or Skype ‘piano-yoga’. Please note that sessions are limited so please book early to avoid disappointment.

‘Piano-Yoga® makes best use of your specific anatomy, strength and flexibility to help your playing’ 

Pianist Magazine, UK

 

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Caffè Nero Plays GéNIA’s Music!

April 10th, 2014 — 9:19am

Several of GéNIA’s tracks from her newly released EP ‘Dreams of Today, Thoughts of Tomorrow’ have been selected by Caffè Nero to be played in every coffee house in the world throughout April 2014!

You can listen to GéNIA playing live these works live on the 25th of April at the Walthen Hall, where she will also be playing compositions by Beethoven, Schubert, Chopin, Rachmaninoff and Debussy. You can find all the details HERE

But if you are in Caffè Nero, listen out for tracks such as ‘Past Love’, ‘Last Dance’ and ‘Sweet Memories’ and while your drinking your coffee with milk, listen out for ‘Coffee with Milk’, one of the most popular tracks on the album! You can read more about the album and listen to the music samples HERE

Get tickets for GéNIA’s concert HERE

Click HERE to listen to GéNIA perform

Click Here to buy GéNIA’s EP

Comment » | GéNIA, GéNIA's compositions, GéNIA's concerts, Music

How to Obtain the Best Sitting Position at the Piano. Part 2

May 23rd, 2013 — 6:43am

Please read Part 1 of How to Obtain the Best Sitting Position at the Piano before reading the following:

GéNIA playing with Trinity College Orchestra

GéNIA playing with Trinity College Orchestra

To finalise the perfect sitting position for yourself, however, you would need to answer the following questions:

1. Are you a

A. Beginner or
B. Intermediate/Advanced Player?

2.  Are you establishing the sitting position for

A. Your daily practice or
B. For performing purposes?

 

 

3.     What is the acoustic of the space?

A. Dry
B. Wet

4. What is your body type?

A. Tall upper body
B. Short upper body.

Here are the answers to the questions above:
1A.  For the beginner, you will be unlikely to need to produce a lot of sound or exhibit strength in your playing, so all you would need is to sit correctly, trying to match the 90 degree angle between your upper arm and the keyboard on the length of the forearm, so your fingers are gently resting on the keys and your wrists are in line with your arms and hands. Keep your feet parallel, with legs slightly apart. This is very important, particularly for women players, who are taught from childhood to keep their legs close together, which is appropriate in daily life, but creates tension in the hips if you are playing the piano, and hence negatively affects the playing.

1B. For Intermediate and Advanced players, you would need to analyse what pieces you are playing.

If your music has a lot of fast passages or/and big chords, it would be easier to play it sitting slightly higher, as it is less physically exhausting and makes the playing easier, however, on the downside, it will tend to encourage a few wrong notes, as your ‘grounding’ will be affected and therefore your control of the instrument will be disturbed.

If you sit lower, you will be safer from the control point of view, but it will be more tiring to play. Also, you would need to watch out that your wrists don’t go lower then the hands (for more then a few seconds), as this could lead to all sorts of hand problems.

2A. If you are sitting in your practice studio, then it is good to challenge yourself and work from the traditional position described above.

2B. However if you are playing in the concert hall, it is OK to work with the acoustic of the space: sit higher if you need to produce more sound, as your whole body will contribute to producing more sound (very useful for people with a small frame), or sit lower if the keys of the piano are too light and the acoustic of the space is ‘booming’, forcing you to be extra careful not to play everything loudly.

3. Please refer to the 2B answer above.

4. This is very interesting point:

4A. If your upper body is quote long, then your chair would be always placed in a lower position then the chair of someone with a shorter upper body. This is important to remember if you are performing in a concert or exam, where you are not the only person who is playing.

To be on a safe side, particularly if you do not have an opportunity to rehearse on the instrument before performing, make sure to reproduce the seating position that you adopt at home (the height of your sitting position in relation to the instrument) and try to recreate it at the new venue. You may not be able to react to the factors like the touch of the instrument or acoustic of the venue, but at least you will feel more grounded, which is so essential for a confident performance.

4B. Please refer to the answer in 4A.

At the end of the day, establishing the best seating position is a very individual factor, as many of us have unbalanced right and left sides, different physique, various hearing abilities and many other factors, so it is always very interesting and rewarding to find the position that works best for you. This is why various great performers sit completely differently. The correct seating position could considerably improve the quality of your playing without you even practicing! If you follow the guidelines above you will definitely be on the right track.

Here is an excellent example of the optimum seating position –  Artur Rubinstein.

Happy Practising & Enjoy Finding your Unique Position!

GéNIA

GéNIA’s Piano-Yoga® Oxford Retreat will take the place on the 16 June 2013 in Oxford at St Hilda’s College. With the programme covering Exercises for the Perfect Sitting Position, How to Create Individual Piano Technique, New Approaches to Sight-reading, Masterclasses and Exercises for De-stressing, GéNIA will be addressing each sitting position individually. For more information and to book a place please visit our website.

GéNIA’s Piano-Yoga® Book is available here.

To read further on how to obtain the best sitting position here is the very informative blog from Classical Mel, with which we could not agree more!

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Piano-Yoga® 30 Second Tips No. 3

April 12th, 2013 — 9:26am

In this video, Russian pianist GéNIA, the founder of Piano-Yoga®, demonstrates how important it is to understand the hand muscles and how they relate to piano playing. Recorded at the Piano-Yoga® EPTA Workshop 2011.

These bite sized videos contain essential advice on piano playing from the founder of Piano-Yoga® itself, virtuoso concert pianist GéNIA, with all the material taken from the large database of Piano-Yoga® workshops, retreats and presentations that took place in the last few years.

Video Production & Audio Production: Richard McDonald

Our next Piano-Yoga® Retreat is at Kings Place, London on the 21st April 2013

Click HERE to view Piano-Yoga®’s other videos.

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Piano-Yoga® 30 Second Tips No. 2

April 9th, 2013 — 10:00am

In this video, GéNIA demonstrates how to properly align yourself using various Piano-Yoga® techniques before you start playing. Recorded at the Piano-Yoga® Kings Place Retreat 2012.

These bite sized videos contain essential advice on piano playing from the founder of Piano-Yoga® itself, virtuoso concert pianist GéNIA, with all the material taken from the large database of Piano-Yoga® workshops, retreats and presentations that took place in the last few years.

Our next Piano-Yoga® Retreat is at Kings Place, London on the 21st April 2013:
http://www.kingsplace.co.uk/whats-on-book-tickets/music/piano-yoga-retreat-with-g-nia-0

Video Production & Audio Production: Richard McDonald

Click HERE to view Piano-Yoga®’s other videos.

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