Tag: GéNIA


Holistic Day for Pianists with Melanie Spanswick & GéNIA in London on Sunday 16 July 2017

May 18th, 2017 — 4:02pm

Following numerous requests, we are delighted to announce Holistic Day for Pianists, which the founder of Piano-Yoga® GéNIA will be bringing to you together with the pianist, educator, composer, author and judicator Melanie Spanswick.

Melanie and GéNIA met in 2012, and immediately recognised their shared beliefs; helping piano students to realise their true potential by offering holistic technical and musical guidance, and thereby encouraging a different approach to piano playing. Subsequent workshops and projects have followed, and now we are delighted to present a complete holistic piano day which will explore several important elements; incorporating the physical flexibility and relaxation techniques employed in Piano-Yoga® with the mental mindfulness required in memorisation and sight-reading.

Holistic Day for Pianists is an exciting all-day event for amateur pianists, music students, piano teachers and young musicians from the age of 13. For the schedule of the day, further information and to find out how to book please visit our website or click on the poster below.

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10 Piano pieces that you can pull out of your sleeve in no time!

May 11th, 2017 — 9:18am
GéNIA - Pianist, composer and founder of Piano-Yoga®

GéNIA – Pianist, composer and founder of Piano-Yoga®

Many amateur pianists often find themselves in the situation where they need to play something in front of an audience, but there is nothing ready and then they end up feeling disappointed: with all this practice, how come that whenever they need to perform, they have nothing to show?

First of all, don’t be so harsh on yourself! If you do take your practice seriously, then you must be in the right state of mind, with warmed up hands and your chosen piece in a reasonably good preparation state, ideally glued into your memory. These things do not happen easily. It is understandable that you may feel less than enthusiastic about performing in front of people, if these conditions are not met.

However, there are some pieces which I call ‘Crowd Pleasers’. Once you learn them, they stay in your memory and hands easily and can be picked up at any moment.

Here is a list of pieces that you can pull out of your sleeve in no time:

1. Philip Glass  ’Metamorhopsis  No 1′ (This is a great piece for testing your memory)

 

2. Frederic Chopin Prelude in E minor Op. 28 No 4

 

3. Eric Satie Gnossienne No 1

 

4. JS Bach Little Prelude in C minor BWV 999

 

5 Robert Schumann’. Kind im Einschlummern’ (Child Falling Asleep) from Kinderszenen (Scenes from Childhood), Op. 15 (1838)

 

6. Wolfgang Amadeus Mozart Movement no 2 from Somata in C major K 545

 

7. Yann Tiersen Soundtrack from the film ‘Amelie’

 

8. JS Bach Prelude from Prelude and Fugue in C major Book 1

 

9. Ludovico Einaudi  ‘Nuvole Bianche’

 

10 GéNIA ‘Mon Amour’

Hope you find this selection helpful!

Remember that piano is there to be enjoyed by you and the people around you.

With love,

GéNIA

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Piano-Yoga® sessions in Paris competition: Win a free session!

May 4th, 2017 — 8:37am
GéNIA, the founder of Piano-Yoga®

GéNIA, the founder of Piano-Yoga®

Win a Piano-Yoga® session in Paris with GéNIA! The session can be redeemed on Tuesday 16th May 2017, between 10:30-18:30 at Paul Beuscher Shop, 17-27, Bd Beaumarchais,75004 – Paris by answering the following question:

Q: Which Russian composer had infamously large hands?

Please email your answer to info@piano-yoga.com. We will accept submissions up to midnight on Thursday 11th May 2017. The winner will be selected randomly and notified on Friday 12th May 2017.

To be eligible for this competition please include the following information:

- Your Full Name and Postal Address
- Your Contact Telephone Number
- Choose from the following that best describes your musical level: Beginner | Intermediate | Advance | Teacher | Professional Musician

You can find out more about Piano-Yoga® sessions in Paris here.
- Please note that the name of the winner will be announced on our blog, Twitter and Facebook.
- The session is non-transferable.

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Piano-Yoga® Sessions in Paris

April 19th, 2017 — 8:40am

Due to popular demand, after the success of Piano-Yoga® sessions in London and Nice, GéNIA will be bringing Piano-Yoga® sessions to Paris! The sessions will give an opportunity to musicians and amateur pianists to learn in-depth about the Piano-Yoga® method and get advice directly from its creator, concert pianist, pedagogue  and composer, GéNIA. Taking place in the heart of Paris at one of the best piano stores, Paul Beuscher, the Piano-Yoga® sessions will take place on Tuesday, 16 May.

GéNIA- Piano-YogaSessions in Pariis

What is Piano-Yoga®? Piano-Yoga® is a unique method of piano playing, performing and teaching designed for all levels of pianists. It has been created and developed by Russian virtuoso pianist and educator GéNIA.

This multi-dimensional method combines the fundamentals of Russian piano schools with Eastern philosophies, particularly yoga. The aims are focusing your piano practice, improving concentration, effectively building strength in the muscles which work the fingers and hands, establishing good posture at the piano and conquering performance nerves amongst other topics.

Piano-Yoga® radically improves technique and unblocks tension. The method promotes noticeable progress on the piano by utilising the principles of movement, gravity and breathing thus forming a more organic approach towards piano playing. It can also be used as a stress management technique. In the heart of the method lies Piano-Yoga® book ‘Transform Your Hands:10 week course of piano exercises’.

Piano-Yoga® draws on specific methods which encompass the holistic personal development and well-being of the player and as a result helps to open and connect both mind and body.

Who would most benefit? Professional musicians, piano teachers, amateur pianists of the intermediate and advanced level, young people from the age of 15 upwards and children with the supervision of parents.

How can Piano-Yoga® session help you? Prior to the session we would encourage you to fill out our Piano-Yoga® Assessment Form, which will be sent to you once we confirm the booking. The form will allow you to focus on your most important pianistic questions, which could range from technique to post trauma rehabilitation issues, also performance nerves, organisations of piano practise or a simple tiredness during and after your practice.

About GéNIA: Described by The Times as ‘an outstanding musician’, Russian virtuoso concert pianist and composer, GéNIA, is an acclaimed pioneer on the classical music scene, with numerous TV and radio appearances. The founder of Piano-Yoga®, ‘the first entirely new piano technique to emerge in over 50 years’, GéNIA was taught by her great-grandmother, the renowned pedagogue Regina Horowitz (sister of pianist Vladimir Horowitz) and studied at the Guildhall School of Music and Drama & Trinity College of Music in London, where she received numerous awards and prizes. GéNIA gives masterclasses, workshops and Piano-Yoga® retreats worldwide, whilst running her Piano-Yoga® studio in Central London. Her Piano-Yoga® has been featured in most music publications in the UK. In 2012 she launched live series of Piano-Yoga® lessons on BBC London Radio 94.9.

Location: Paul Beuscher Shop, 17-27, Bd Beaumarchais,75004 – Paris

Booking: Tickets can be bought in advance via our website or by giving us a call on +44 (0) 20 7226 9829. For further information email us or Skype ‘piano-yoga’. Please note that sessions are limited so please book early to avoid disappointment.

‘Piano-Yoga® makes best use of your specific anatomy, strength and flexibility to help your playing’ 

Pianist Magazine, UK

 

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‘How to ‘spring clean’ your piano practice’ by GéNIA

April 11th, 2017 — 12:27pm
GéNIA, founder of Piano-Yoga®

GéNIA, founder of Piano-Yoga®

Spring is one of the most beautiful times of the season: plants are starting to grow, flowers are blooming, the sunshine is becoming stronger and birds start singing earlier and earlier. Nature starts waking up and ‘smiling’ at us, and the same is happening with people; we feel that there are more new possibilities, new beginnings and, in general, life becomes ‘sweeter’ and happier, in comparison with the dark and cold months of winter.

However with regard to piano practice, many people feel that they would rather spend more time outside (whilst the weather is so beautiful) and less time inside, which in turn affects their daily piano regime. Many start feeling guilty for not practising enough.

Also this time is the time for holidays, Easter and Pesach, or just family time together. This is the period when we start thinking more about our lives, relationships and family matters. During these days it is very popular to do spring cleaning in the house, getting rid of ‘stale’ habits and banishing the darkness of winter. The good news is that you can do the same with your piano practice routine: learning new pieces, practising in a different way, start doing new piano warm up exercises; all these can contribute to rejuvenation of your piano practice.

So are you ready to renew your piano practice?Playing Hands (Non Classical) No White window

Below are some tips that will help you to do just that:

Drink a glass of fresh water (ideally with lemon or cucumber) before your practice, in the mornings or afternoons or even early evenings

or

Drink a glass of herbal tea (with honey or lemon, according to taste) before your late evening practice.

Do a few stretches before you start:

Stand with your feet parallel, a hip-width apart, engage your inner legs, draw your abdominals inwards, align your lower back (which often means bringing your hips slightly forward, to avoid creating a big curve in your lower back), keep your shoulders relaxed (lower them if necessary) and slightly back if your shoulders tend to turn inwards, stretch through your arms, as if someone is pulling your fingers down to the ground, make sure that your neck is not protruding forwards (if it is, you can end up with a lot of problems in your upper shoulders and neck, and even experience headaches and problems with vision).

Take a deep breath, inhaling all the way from your diaphragm, while lifting your hands over your head along the sides of your body, then start slowly breathing out whilst bringing your hands to the original position in the same way.

Keep thinking of maintaining your alignment (which means don’t feel sloppy).

Repeat 3 times.

On the 3rd time, instead of returning your hands to the original position, bring the palms together over your head on the in breath and, on out breath, slowly bring the hands together down through the centre line of your body.

Then take 2 breaths whilst keeping your hands firmly against your naval: palms pressed together on the level of your diaphragm.

This simple stretch will revitalise your body and help you to concentrate.

Choose a brand new exercise routine. 

Piano-Yoga® Book of Exercises

Piano-Yoga® Book of Exercises

I am a big advocate of doing exercises, as you can improve your playing dramatically by working separately on technical issues. Identify up to 3 of the weakest areas of your practice (scales, thirds, octaves, etc) and choose exercises that will help you to tackle these. Amongst my favourites are Clementi-Tausig ‘Gradus ad Parnassum’, H. Berens ‘Training of the left hand’, M. Long ‘Le Piano’ exercises, some pages from Chopin and Liszt etudes (it is absolutely fine to use those as exercises) and, of course, Piano-Yoga® exercises, as they promote not only the stretch but the strength in the fingers, especially in the bottom parts (proximal phalanx), and therefore allow you to do all the other exercises much more efficiently.

Choose at least one new piece.  I think it is very important always to work on something new, and especially during the spring. I love variation form, as then you feel that you are not just working on one piece, but on many different pieces. Some of the great examples are Beethoven Six Variations on ‘Nel cor piu non mi sento’ WoO70, Beethoven 32 Variations on an Original Theme’ in C minor WoO 80, Schumann Abegg Variations Op.1, Schumann Pappilons  Op.2 or Mendelssohn Variations Sérieuses’ Op.54 to name just a few.

Record yourself playing one of the pieces that you are working on and then give yourself a day’s rest. Afterwards listen to the recording with the sheet music and a pencil and pretend that you are listening to someone else’s playing and giving them a lesson. Mark all the places, with details and nuances that you think need improvement.

Set-up a goal.  I think it is very important to know why you are learning to play the piano, whether you just want to learn it for yourself or you are more ambitious and you’d like to do some public performances or/and take some exams. Your goal can vary from ‘memorising a piece of music’ and ‘performing in public’ to ‘establishing a practice routine’. Whatever you do, decide on the goal and when you intend to achieve it. This could transform your practice, as it will give it direction.

Get professional advice.  If you are not having lessons at the moment and practicing by yourself, it is a good time to see a professional musician (whether a piano teacher or a performing musician) to get some tips and advice, even if you cannot take regular lessons. If you are already taking lessons, consider signing up for a master class or a workshop, as it is always good to hear fresh new opinions, even those different from your teacher’s.

I always encourage my students to play at festivals and masterclasses, as not only do they get the experience of performing in public, but they also gain professional feedback which is sometimes different from mine, but is always useful.

Piano-Yoga Student Concert

Piano-Yoga® Student Concert

And finally… Set up a date for your ‘public’ performance.  Even if you are the most shy person in the world, it would do you a lot of good to play in front of someone else, as this is where your knowledge and skills will be tested. If you manage to keep your cool and play swimmingly through this, then you have learnt well what you have been working on, but if not, it means, that you still need to continue work on what you have been doing. And if you are an experienced player, then sign yourself up to an interesting performance opportunity, such as a local festival or masterclass.

Alternatively, you can make a recording that you can then give to all your friends and family as a present! Maybe for Christmas?  This will force you to be really thorough in your playing and practising.

I hope that you found these tips useful. If you have any questions, please feel free to contact me via my website www.piano-yoga.com or our facebook page: https://www.facebook.com/pianoyogaeducation/

Enjoy your practice

&  happy Holidays!

GéNIA

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Melanie Spanswick publishes GéNIA’s guest blog ’11 ways to kick start your practice routine’

March 30th, 2017 — 9:19am
GéNIA, the founder of Piano-Yoga®

GéNIA, the founder of Piano-Yoga®

To celebrate World Piano Day, GéNIA was invited to write a guest blog for the website of renowned educator, pianist, composer, author and blogger Melanie Spanswick.

‘Have you ever had the familiar feeling that you really would like to do something but you just do not have the time for it? If only! In reality, very secretly, you know that you have the time, however you just cannot bring yourself into doing something.

Melanie Spanswick, pianist, composer, educator and blogger

Melanie Spanswick, educator, pianist, composer, author and blogger

I have news for you! For a start, thousands, if not millions of people, have had this feeling at least once in their life. It does not matter if it was about piano practice or learning a foreign language or simply starting a regular exercise regime. You know you want it, you even know need it, but still something is holding you back.

So what shall we do about it? How do we start? In this article I am going to concentrate on piano practice, however the tips can be applied to anything!’

To read about 11 ways to kick start your practice please follow this link on Melanie Spanswick’s website. Also check out other blogs from Melanie, offering valuable advice and tips on piano playing!

 

 

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Music Gurus website publish GéNIA’s blog ‘Are Russian piano teachers really that scary?’

February 12th, 2017 — 3:50pm

15e243b2-b4a3-49ee-b800-e7a522ec87b9This month an educational website, Music Gurus, published GéNIA’s blog. Let us know if you agree!

Is she really strict?”” “How scary is she!?” ““Is she nice!?!”
Recently, I had a number of my friends reporting these reactions when they mentioned my name to their peers.
When this happened the first time, I thought that particular person probably just had a bad experience with a Russian piano teacher, and I didn’’t give it a second thought.
However, when one of my student’s friends was shocked upon meeting me (I think he was expecting to see a big 60-year-old babushka), that got me thinking…”

Music Gurus is a new exciting company dedicated to promoting music education to the highest level. The company provides an opportunity for people to learn directly from professional musicians, many of them being remarkable artists. Amongst various videos of masterclasses and specifically designed courses on the website, one can find footage with Maxim Vengerov, Joanna MacGregor, Andras Schiff, Darius Brubeck, to name a few. The website is a great source of inspiration and education that I highly recommend. You can visit the site here.

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Piano-Yoga® Blog Selected as one of the Top 40 Piano Blogs on the Web

January 18th, 2017 — 3:22pm

Piano BlogOur Piano-Yoga® blog has been selected by Feed Spot as one of the top 40 piano blogs on the Web.

The team are very pleased with the award and we will continue to strive to offer the best piano playing advice and information combined with our unique holistic approach. You can read more about the award by clicking the link here.

 

 

 

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Piano-Yoga® featured on the cover of The Piano Bench Mag

January 16th, 2017 — 10:27am

IMG_3638Piano-Yoga® founder GéNIA has been featured in the January issue of renowned piano teaching magazine Piano Bench Mag. The issue can be purchased from itunes here and google play here.

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How to Find the Best Piano Teacher for You

December 16th, 2016 — 11:39am

Piano-Yoga Teacher

In finding the best piano teacher, there are many ingredients that must be right. Sometimes the best piano teacher for one person could be inappropriate for another. Therefore, when choosing the right teacher for yourself, child or even for someone else, it is important to use certain criteria which work over and above professional qualifications and/or a friendly personality.

Below is a simple “TO DO” list I recommend anyone to go through when looking for the piano teacher:

1) Qualifications
2) Years of teaching experience
3) Main area of expertise
4) Level of Professionalism
5) Personal Compatibility
6) The extent of piano teaching
7) Location
8) Online Piano Tuition

Here is a little more information about each of those points:

Qualification

It is good to have the teacher who studied at one of the major Music Schools and Colleges. If you live in London (UK), it could be The Royal Academy of Music, Royal College of Music, Guildhall School of Music and Drama or Trinity College of Music to name just a few. Why? Because this will guarantee that the teachers who studied at these establishments have been taught well and therefore will teach to high professional standard and will be unlikely to pass on any wrong or ‘unhealthy’ methods to their students. You can indentify which institution someone has graduated from by simply looking at the letters following their name, and later, checking them online. Also, if you can access the teacher’s biography, their degrees and diplomas may be explained further.

Amongst the most established UK qualifications, here are a few examples of Music Degrees:
BMus, MMus, MPerf, MComp, MA, MPhil, PhD, MMP, DMus and Diplomas LRAM, PGDip, AdvDip, ARCM, DipRCM, ADCM , Artist Diploma, , LGSM, AGSM, PGDip, Dip GSM., ATCL, LTCL, FTCL, PGA, PGD . I have used the examples from the main educational bodies – Royal Academy of Music (www.ram.ac.uk). Royal College of Music (www.rcm.ac.uk), Guildhall School of Music and Drama ( www.gsmd.ac.uk) and Trinity Laban Conservatoire of Music and Dance ( www.trinitylaban.ac.uk)

Years of teaching experience

This can also be quite beneficial. Although there are a lot of young teachers who can be very good and effective, the benefit of working with a more experienced teacher is that, once a student starts facing difficulties (and believe me, this moment always occurs at some stage along the tuition process), the experienced teacher would be likely to guide a pupil through these difficulties more quickly, whereas the younger teacher may not be able to help so immediately, or at all, whilst stumbling through the blocks. It is also good to get any feedback from past and current students of the teacher in question and, if possible, find out about the teacher’s achievement list (for example how many students won competitions, got high grades, participated in all sorts of public performance, etc.).

Main area of expertise

Some teachers are strictly classical, some do mainly jazz, some do a few instruments. The last group would be the ones I would approach with caution, to make sure that their level of expertise is high enough to teach each instrument. It is also quite good to see if the teacher can play a little bit for you, as then you may know straight away if you would like to learn from this person.

Level of Professionalism

This is a quality that I personally value very much in any area of expertise – it is important that a teacher starts and finishes the lesson on time, clearly explains the fee structure and terms & conditions of the lesson. It is important that a teacher informs a student what needs to be brought to the lesson and what role they expect the parents to play in the students’ education.

Personal Compatibility

This is a very important quality for a teacher to have. It goes beyond just being friendly. The energy and the overall approach of the teacher should match the energy of each student. For example, if the student is in a receptive mode, then the teacher should provide a lot of knowledge, so to be in a ‘giving mode’, but if the student is in a creative and active mood, then the teacher should provide this knowledge through inspiration, by encouraging the student to find an answer for themselves. Experienced teachers should be able to match the energy and state of a student’s mind on each separate occasion. It is very important that both a teacher and a student have a harmonious and balanced energy exchange during the lesson.

The extent of piano teaching

This area often gets overlooked, as all we want at the beginning is piano lessons. However, with the passage of time, some students want more then just an hour of piano lessons per week. They would like to know about performance opportunities, the best competitions, thorough help in choosing piano repertoire, information on the best performers, concerts, etc. If you know in advance that you might require some of the above information, it would be a good idea to ask the teacher if they would be prepared to give it to you. Some of them would be happy, whilst some would not, sometimes purely because of the lack of time and/ or knowledge.

Location

Of course, if you want to learn to play piano, you should try to find the teacher who best fits all the points outlined above, and the best might not be in the area close to you. However, it is important to consider the location as, particularly, if you live in a big city where travelling takes an hour or more each way, taking your child after school on a weekly basis may tire them out, and therefore this is important to consider. In general, from my personal experience, students tend to have more regular lessons with teachers who are close to them as compared to less regular, often prolonged classes with the teachers who live far away. For more advanced, adult players this may not be a big problem, but if you are a beginner, you may want to have more regular lessons on a weekly basis (and this is what I would recommend).

Online Piano Tuition

During the last 5 years, the number of students I teach via Skype has grown. With faster and better internet connection, this method has became possible. I find the benefits of teaching via Skype (apart from obviously the lack of travel) include the fact that lessons become more precise and concentrated, where the camera lets you direct its focus to a specific angle of the hand and/or finger. The drawback is the quality of sound which, of course, will never be as good as the live sound; however it is still pretty decent. For those of my students who live far away from London, Skype piano lessons provide a great solution which should not be overlooked when choosing the best method of studying to fit in with your lifestyle.

To help you further I devised a simple questioner which I give out in my GéNIA MUSIC School and Piano-Yoga® School, to students who enquire about lessons. This helps them and us to choose them the best teacher and the best approach to the piano tuition:

1) List Your Name
2) List Your Age
3) Describe your current piano playing level
4) What is your piano aspiration (perform in public, do grades, learn to memorise, etc)
5) How much time do you have to practice (realistically)
6) How often can you come to your piano lessons (one a week, twice a week, once at fortnight, come when I want to) or would you prefer to do a lessons via Skype? Or would you prefer to do both?
7) What pieces are you playing at the moment?
8) What pieces you would like to play?
9) What pieces you listen to?
10) What type of memory do you have (photographic, symbolic, literary, aural)?
11) How do you learn best (aurally, motorically (by repeating after teacher) visually, etc)?

When you start looking for your teacher, it would be a good idea to finalise for yourself what you are looking for, as this would help you to focus on finding the best piano teacher!

Good luck with your search!

GéNIA

For more information on how to improve your piano playing visit our Piano-Yoga® website www.piano-yoga.com and Piano-Yoga® Studio at Schott Music, 48 Great Marlborough Street, London W1F 7BB, where GéNIA teaches regularly.

Russian Virtuoso Pianist and Compser GéNIA is a founder of Piano-Yoga® Method. She runs Piano-Yoga® Studio located in Central London: www.piano-yoga.com

 

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