How to Obtain the Best Sitting Position at the Piano. Part 1

I am often asked what it the best way to sit at the piano, as various piano teachers recommend different approaches. When we watch famous musicians, we cannot help but notice how differently they sit:  Glen Gould with his unbalanced low sitting position, Arthur Rubinstein with his almost perfect and static way of sitting, Lang Lang who generously uses body movements and Ivo Pogorelich who is very minimal in his physical expression… So how can we decide what is the best way to sit at the piano?

According to the Russian Piano School that I have been taught, you need to sit closer to the edge of the piano stool, with the forearms parallel to the piano, ideally keeping about 90 Degrees between your upper arm and forearm. The distance from the piano should be equal to the length of your forearm. This way gives you a freedom to move your hands correctly and without a restraint.

However, after teaching a number of students over the years and performing myself on different concert platforms, I noticed that sometimes this is not enough.

Why? Because, all the pianos are different: some are loud and some are soft, some have a heavy action and some are light, additionally to that the acoustics of each venue vary from one another, ranging from ‘dry’, where the player needs to give more sound, to ‘wet’, where the sound needs to be carefully controlled, as otherwise the venue amplifies the sound.

On top of that students have different physique, where some are tall and limber, and some are petite and prone to rigidity. Sometimes the upper body is considerably longer than the lower part, or vice versa. All this needs to be taking into consideration when you play the piano.  enter So how can one find the best sitting position?

First of all there are some basic rules that apply to all body types, all kinds of pianos and all environments. This is my personal conclusion, reached after experimenting a lot on myself and with the help of my wonderful students. The method is represented in detail in my book,  “Piano-Yoga®: Transform Your Hands” in Chapter 1: Preliminary Piano-Yoga®, Exercise 6. However, here I will give you a quick outline: the main objective for finding the best sitting position at the piano, is that you need to feel grounded at all times. So what exactly does it mean, and how is this achieved?

Sit, as described above, closer to the edge of your piano stool, aiming to have your forearms resting on the keyboard parallel to the floor, with a 90 Degree angle to your upper arm. Make sure that your wrists are in line with your arms and hands, and not above or below them. Keep the forearm distance away from the keys.

go to link Start from the feet - make sure that they are firmly connected to the ground. To do that you should keep you legs a hip-width apart, with feet parallel, close to the pedals, and sit with the back straight. Lift your toes, spread them, one by one if you can, and then slowly put them down. Then continue with you heals, lifting them as high as you can and placing them slowly down.

Piano-Yoga® Sitting Routine

Then  engage your abdominal area, as it holds the spine and keeps all the energy of your body (according to the eastern philosophies). Slowly draw your abdominals in, but not too much, as you do not want to prevent your diaphragm from expanding (breathing fully).

Next, make sure that your shoulders are down and back, if necessary.  To do this, stretch your arms, with the fingers widely spread, pointing to the floor and knuckles parallel and facing the keyboard. Hold this position for a few seconds and then turn your palms so they are now facing the keyboard. This will increase the stretch deeper, and facilitate lowering of the shoulders. If your shoulders are prone to be rolled inwards, then pull them slightly back; however, avoid over-arching your back (as this would add the additional pressure to your lower back)

Piano-Yoga® Sitting Routine

Finally, make sure that your neck is aligned with your body and is not protruding forward.

Pulling the neck forward can lead to heightened blood pressure, headaches and even blurred vision, as well as pains in the upper shoulders.

Once you master this sequence, it will take you about 1 minute to perform, but will considerably improve the quality of your playing and facilitate the best sitting position for you.

To be continued.

For more information on how to improve your piano playing visit our Piano-Yoga® workshop with GéNIA at Schott Music, 48 Great Marlborough Street, London W1F 7BB, on Thursday, 6th November at 7:00-10:00 pm in London. View the webpage of the programme here.

GéNIA’s Piano-Yoga® Book is available here.

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