Category: Piano-Yoga® School


Piano-Yoga® Sessions in Paris

April 19th, 2017 — 8:40am

Due to popular demand, after the success of Piano-Yoga® sessions in London and Nice, GéNIA will be bringing Piano-Yoga® sessions to Paris! The sessions will give an opportunity to musicians and amateur pianists to learn in-depth about the Piano-Yoga® method and get advice directly from its creator, concert pianist, pedagogue  and composer, GéNIA. Taking place in the heart of Paris at one of the best piano stores, Paul Beuscher, the Piano-Yoga® sessions will take place on Tuesday, 16 May.

GéNIA- Piano-YogaSessions in Pariis

What is Piano-Yoga®? Piano-Yoga® is a unique method of piano playing, performing and teaching designed for all levels of pianists. It has been created and developed by Russian virtuoso pianist and educator GéNIA.

This multi-dimensional method combines the fundamentals of Russian piano schools with Eastern philosophies, particularly yoga. The aims are focusing your piano practice, improving concentration, effectively building strength in the muscles which work the fingers and hands, establishing good posture at the piano and conquering performance nerves amongst other topics.

Piano-Yoga® radically improves technique and unblocks tension. The method promotes noticeable progress on the piano by utilising the principles of movement, gravity and breathing thus forming a more organic approach towards piano playing. It can also be used as a stress management technique. In the heart of the method lies Piano-Yoga® book ‘Transform Your Hands:10 week course of piano exercises’.

Piano-Yoga® draws on specific methods which encompass the holistic personal development and well-being of the player and as a result helps to open and connect both mind and body.

Who would most benefit? Professional musicians, piano teachers, amateur pianists of the intermediate and advanced level, young people from the age of 15 upwards and children with the supervision of parents.

How can Piano-Yoga® session help you? Prior to the session we would encourage you to fill out our Piano-Yoga® Assessment Form, which will be sent to you once we confirm the booking. The form will allow you to focus on your most important pianistic questions, which could range from technique to post trauma rehabilitation issues, also performance nerves, organisations of piano practise or a simple tiredness during and after your practice.

About GéNIA: Described by The Times as ‘an outstanding musician’, Russian virtuoso concert pianist and composer, GéNIA, is an acclaimed pioneer on the classical music scene, with numerous TV and radio appearances. The founder of Piano-Yoga®, ‘the first entirely new piano technique to emerge in over 50 years’, GéNIA was taught by her great-grandmother, the renowned pedagogue Regina Horowitz (sister of pianist Vladimir Horowitz) and studied at the Guildhall School of Music and Drama & Trinity College of Music in London, where she received numerous awards and prizes. GéNIA gives masterclasses, workshops and Piano-Yoga® retreats worldwide, whilst running her Piano-Yoga® studio in Central London. Her Piano-Yoga® has been featured in most music publications in the UK. In 2012 she launched live series of Piano-Yoga® lessons on BBC London Radio 94.9.

Location: Paul Beuscher Shop, 17-27, Bd Beaumarchais,75004 – Paris

Booking: Tickets can be bought in advance via our website or by giving us a call on +44 (0) 20 7226 9829. For further information email us or Skype ‘piano-yoga’. Please note that sessions are limited so please book early to avoid disappointment.

‘Piano-Yoga® makes best use of your specific anatomy, strength and flexibility to help your playing’ 

Pianist Magazine, UK

 

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Piano-Yoga® featured on the cover of The Piano Bench Mag

January 16th, 2017 — 10:27am

IMG_3638Piano-Yoga® founder GéNIA has been featured in the January issue of renowned piano teaching magazine Piano Bench Mag. The issue can be purchased from itunes here and google play here.

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How to Find the Best Piano Teacher for You

December 16th, 2016 — 11:39am

Piano-Yoga Teacher

In finding the best piano teacher, there are many ingredients that must be right. Sometimes the best piano teacher for one person could be inappropriate for another. Therefore, when choosing the right teacher for yourself, child or even for someone else, it is important to use certain criteria which work over and above professional qualifications and/or a friendly personality.

Below is a simple “TO DO” list I recommend anyone to go through when looking for the piano teacher:

1) Qualifications
2) Years of teaching experience
3) Main area of expertise
4) Level of Professionalism
5) Personal Compatibility
6) The extent of piano teaching
7) Location
8) Online Piano Tuition

Here is a little more information about each of those points:

Qualification

It is good to have the teacher who studied at one of the major Music Schools and Colleges. If you live in London (UK), it could be The Royal Academy of Music, Royal College of Music, Guildhall School of Music and Drama or Trinity College of Music to name just a few. Why? Because this will guarantee that the teachers who studied at these establishments have been taught well and therefore will teach to high professional standard and will be unlikely to pass on any wrong or ‘unhealthy’ methods to their students. You can indentify which institution someone has graduated from by simply looking at the letters following their name, and later, checking them online. Also, if you can access the teacher’s biography, their degrees and diplomas may be explained further.

Amongst the most established UK qualifications, here are a few examples of Music Degrees:
BMus, MMus, MPerf, MComp, MA, MPhil, PhD, MMP, DMus and Diplomas LRAM, PGDip, AdvDip, ARCM, DipRCM, ADCM , Artist Diploma, , LGSM, AGSM, PGDip, Dip GSM., ATCL, LTCL, FTCL, PGA, PGD . I have used the examples from the main educational bodies – Royal Academy of Music (www.ram.ac.uk). Royal College of Music (www.rcm.ac.uk), Guildhall School of Music and Drama ( www.gsmd.ac.uk) and Trinity Laban Conservatoire of Music and Dance ( www.trinitylaban.ac.uk)

Years of teaching experience

This can also be quite beneficial. Although there are a lot of young teachers who can be very good and effective, the benefit of working with a more experienced teacher is that, once a student starts facing difficulties (and believe me, this moment always occurs at some stage along the tuition process), the experienced teacher would be likely to guide a pupil through these difficulties more quickly, whereas the younger teacher may not be able to help so immediately, or at all, whilst stumbling through the blocks. It is also good to get any feedback from past and current students of the teacher in question and, if possible, find out about the teacher’s achievement list (for example how many students won competitions, got high grades, participated in all sorts of public performance, etc.).

Main area of expertise

Some teachers are strictly classical, some do mainly jazz, some do a few instruments. The last group would be the ones I would approach with caution, to make sure that their level of expertise is high enough to teach each instrument. It is also quite good to see if the teacher can play a little bit for you, as then you may know straight away if you would like to learn from this person.

Level of Professionalism

This is a quality that I personally value very much in any area of expertise – it is important that a teacher starts and finishes the lesson on time, clearly explains the fee structure and terms & conditions of the lesson. It is important that a teacher informs a student what needs to be brought to the lesson and what role they expect the parents to play in the students’ education.

Personal Compatibility

This is a very important quality for a teacher to have. It goes beyond just being friendly. The energy and the overall approach of the teacher should match the energy of each student. For example, if the student is in a receptive mode, then the teacher should provide a lot of knowledge, so to be in a ‘giving mode’, but if the student is in a creative and active mood, then the teacher should provide this knowledge through inspiration, by encouraging the student to find an answer for themselves. Experienced teachers should be able to match the energy and state of a student’s mind on each separate occasion. It is very important that both a teacher and a student have a harmonious and balanced energy exchange during the lesson.

The extent of piano teaching

This area often gets overlooked, as all we want at the beginning is piano lessons. However, with the passage of time, some students want more then just an hour of piano lessons per week. They would like to know about performance opportunities, the best competitions, thorough help in choosing piano repertoire, information on the best performers, concerts, etc. If you know in advance that you might require some of the above information, it would be a good idea to ask the teacher if they would be prepared to give it to you. Some of them would be happy, whilst some would not, sometimes purely because of the lack of time and/ or knowledge.

Location

Of course, if you want to learn to play piano, you should try to find the teacher who best fits all the points outlined above, and the best might not be in the area close to you. However, it is important to consider the location as, particularly, if you live in a big city where travelling takes an hour or more each way, taking your child after school on a weekly basis may tire them out, and therefore this is important to consider. In general, from my personal experience, students tend to have more regular lessons with teachers who are close to them as compared to less regular, often prolonged classes with the teachers who live far away. For more advanced, adult players this may not be a big problem, but if you are a beginner, you may want to have more regular lessons on a weekly basis (and this is what I would recommend).

Online Piano Tuition

During the last 5 years, the number of students I teach via Skype has grown. With faster and better internet connection, this method has became possible. I find the benefits of teaching via Skype (apart from obviously the lack of travel) include the fact that lessons become more precise and concentrated, where the camera lets you direct its focus to a specific angle of the hand and/or finger. The drawback is the quality of sound which, of course, will never be as good as the live sound; however it is still pretty decent. For those of my students who live far away from London, Skype piano lessons provide a great solution which should not be overlooked when choosing the best method of studying to fit in with your lifestyle.

To help you further I devised a simple questioner which I give out in my GéNIA MUSIC School and Piano-Yoga® School, to students who enquire about lessons. This helps them and us to choose them the best teacher and the best approach to the piano tuition:

1) List Your Name
2) List Your Age
3) Describe your current piano playing level
4) What is your piano aspiration (perform in public, do grades, learn to memorise, etc)
5) How much time do you have to practice (realistically)
6) How often can you come to your piano lessons (one a week, twice a week, once at fortnight, come when I want to) or would you prefer to do a lessons via Skype? Or would you prefer to do both?
7) What pieces are you playing at the moment?
8) What pieces you would like to play?
9) What pieces you listen to?
10) What type of memory do you have (photographic, symbolic, literary, aural)?
11) How do you learn best (aurally, motorically (by repeating after teacher) visually, etc)?

When you start looking for your teacher, it would be a good idea to finalise for yourself what you are looking for, as this would help you to focus on finding the best piano teacher!

Good luck with your search!

GéNIA

For more information on how to improve your piano playing visit our Piano-Yoga® website www.piano-yoga.com and Piano-Yoga® Studio at Schott Music, 48 Great Marlborough Street, London W1F 7BB, where GéNIA teaches regularly.

Russian Virtuoso Pianist and Compser GéNIA is a founder of Piano-Yoga® Method. She runs Piano-Yoga® Studio located in Central London: www.piano-yoga.com

 

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Pupil of Piano-Yoga® wins Trophy from Woodely Festival as the most promising performer!

April 28th, 2016 — 2:33pm

WoodelyFestTropheyCongratulations to Catherine Lieben, a student of Piano-Yoga® and a pupil of GéNIA, for winning the Wendy Wilson Trophy from the Woodely Festival of Music and Arts 2016. The trophy is awarded to the most promising performer in the adult class. Catherine was performing Sergei Rachmaninoff’s Prelude in B minor, Op.32 No. 10.

Catherine has been studying with GéNIA for over five years and regularly takes part in many music festivals across the UK.

For more information on the Festival please see their website www.woodelyfestival.org.uk

The next Piano-Yoga® students’ concert will take place on the 23d of July 2016 at Schott Music, 48 Great Marlborough Street, London W1F 7BB at 6:30pm. At the concert there will be an opportunity to listen to many students studying the Piano-Yoga®method, including Catherine Lieben, and meet them after the concert.

We are looking forward to seeing you there!

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Thank you from GéNIA to all Piano-Yoga® Club members!

January 13th, 2016 — 1:18pm

Piano-Yoga Club with GéNIAThe idea of setting up the Piano-Yoga® Club came to fruition last year, after I received numerous emails and requests from our lovely supporters. Now, looking back, after having done five Piano-Yoga® Clubs, I must admit that it has been not only very productive, but also a very moving experience for me. By now we have some long-standing loyal supporters, whom I call ‘Piano-Yoga® Veterans’, and, at the same time, we continuously have new guests, often those who are visiting London and come just for one event.

I have been absolutely overwhelmed with the feedback that I have received, and this is what gives me growing confidence in the usefulness of Piano-Yoga®. Whether you have stage fright issues, problems with the technique, pains in your body that relate to or arise from practising, Piano-Yoga® has something to offer everyone. Bringing yoga into piano playing, from the anatomical and psychological point of view, dramatically changes one’s attitude to piano playing and therefore to playing itself.

Last time we had guests from the Unites States and also from the other cities in the UK. I now have been asked to organise similar events online, as for many of you it is not easy to come to London. I promise to work on that, and we will try to do something as soon as possible.

Meanwhile here is some of the feedback that I received:

‘An excellent class taught by an excellent teacher! The class is one of a kind in London!’ Salman   

Piano-Yoga Club‘Illuminating!’ Meredith 

‘Very useful! Practising revamped:-) Maybe more events outside of London?’ Liz

‘Very helpful indeed, especially structuring one’s practice time. Plus I feel more energised and more alert after doing your recommended exercises!’ Deborah

‘Another very illuminating Piano-Yoga® Club – I really enjoyed it and looking forward to applying some of the techniques!’ S.P.C.

‘Always very insightful and helpful!’ Olivia

Thank you very much again, and I wish you all wonderful and fruitful 2016!

Looking forward to seeing you at our Piano-Yoga® Club events!

With love,

GéNIA

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Are Russian piano teachers really that scary?

August 28th, 2015 — 7:06am
Genia_Playing_Julius_Beltrame_JGB_1687_monoPS

Pianist and founder of Piano-Yoga®, GéNIA

Recently, I had a number of my friends reporting that when they mentioned my name to their peers the reaction was usually something along the lines of: “Is she really strict?”; “How scary is she?”; “Is she nice!?”

When this happened the first time, I thought that particular person probably just had a bad experience with a Russian piano teacher, and I didn’’t give it a second thought. However, when one of my student’s friends was shocked on meeting me (I think he was expecting to see a big 60-year-old babushka), that got me thinking…  Another time, a student of mine invited me to come and celebrate his birthday (in a club, of all places), and when we were on the dance floor one of his friends asked, “And where is that piano teacher of yours? I knew she wouldn’’t show up!”  So I just had to introduce myself once again…

Why do English people find us, Russian classical musicians and teachers, so intimidating? I just had to write about this, to get to the bottom of this myth.  When I ask, some say that it’’s because Russian musicians are famous for having the best technique in the world, and Russian teachers are therefore feared for the big demands they make on their students, expecting them to ‘practise 8 hours a day (my grandmother used to say “Four hours in the morning and four hours in the evening””), and for placing them under considerable pressure to achieve the best possible results.

As teachers, that doesn’’t make us unfriendly, cruel or unreasonable; we simply try to teach to the highest level of our ability. Russians sometimes have a reputation for being too straightforward and not very diplomatic. Perhaps…  But if you can accept this and get past it, you may be surprised to find a genuine interest and enthusiasm for conveying knowledge to a student to help them realise their full potential. In my memory, my Russian piano teachers (Sergei Yushkevitch, Victor Makarov and Regina Horowitz – although the latter was my great grand mother), never counted the hours when they were teaching; they gave me and many of their other students as much time as was required to teach them, whether it was one hour, three hours or five… The goal was to educate the student however long it took.

Amongst the most famous teachers in the world who were either Russians or taught in Russia using Russian methods were: Anton Rubinstein, John Field, Alexander Villoing,  Anton Door, Theodor Leschetizky, Vassili Safonov, Alexandre Siloti (the teacher of Sergei Rachmaninov), Heinrich Neuhaus (teacher of Richter, Gilels and Lupu), Alexandre Goldenweiser (teacher of Bashkirov, Berman and Nikolaieva), Konstantin Igoumnov (teacher of Ashkenazy, Davidovich and Feltsman) and Felix Blumenfeld (teacher of Horowitz) to name a few. They were all famous for their principles and total dedication to music and education. Some of them were stricter then others, but they are all warmly remembered by their students all over the world.  I know many current Russian pianists who are both performers and teachers, and I wouldn’t associate any of them with the word ‘Scary’.  Here is an interview with the incredible Russian virtuoso pianist Boris Berezovky, who is the one of the most modest people I have ever met:

 

So what do you you think – are we, Russian Piano Teachers, really that scary?  The only way to find out is to be open-minded and try a few Russian piano teachers.…

As for me, you can judge for yourself!  : )  Take a look at the clips on the Piano-Yoga® Education Youtube Channel:

It’s now time for my piano practice…

Namaste,

GéNIA

Come to our newly launched Piano-Yoga® Club every first Wednesday of the month 2015/16 to learn more about the Piano-Yoga® method. Click HERE for more details.

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Piano-Yoga® student Philip Alexander Balkan receives Eton Honorary Music Exhibition

August 21st, 2015 — 1:29pm

Philip wins Dulwich Piano Festival

An Announcement in The Times advises us that Philip Balken (one of GéNIA’s pupils) has been awarded an Honorary Music Exhibition by Eton College from September 2015, which entitles him to use the letters ‘ME’ after his name. These letters (standing for Music Exhibitioner) are a title held during the pupil’s time at the school.  His name will also appear on Westminster Under School Honours board for having won the Eton Honorary Music Exhibition.

 This is a wonderful achievement, and we are delighted that all Philip’s hard work and dedicated practice have been so notably rewarded.

Want to know more about Piano-Yoga®? Why don’t you visit the Piano-Yoga® club, every 1st Wednesday on the month in London. Click HERE for more details.

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Fantastic ABRSM results achieved by Piano-Yoga® students!

August 10th, 2015 — 7:35am

Couple playing duet on pianoPiano-Yoga® students actively take part in ABRSM exams and we are very pleased to announce that this year two of our students (pupils of GéNIA) have passed with Distinctions, Grade 1 and Grade 7 respectively. The Piano-Yoga® method of teaching is for advanced and budding pianists alike: ‘It really does work…..many pianists have been helped with this unorthodox and unusual method’. Piano Professional Magazine

Want to know more about Piano-Yoga®? Why don’t you visit the Piano-Yoga® club, every 1st Wednesday on the month in London. Click HERE for more details

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Congratulations to Edi Bilimoria for winning 2nd prize at Dulwich Music Festival

August 5th, 2015 — 6:58am

We are extremely proud to announce that Piano-Yoga® student Edi Bilimoria (a pupil of GéNIA) won 2nd place at the Dulwich Music Festival, in the adult class category earlier this year.

EdiBilimoriaPicEdi has been a very active amateur on the London Music scene, regularly taking part in numerous performance opportunities in and around the capital.

Edi derives particular enjoyment from performing Liszt, Chopin and Brahms, whom he feels he is closest to. His love and dedication to piano is exemplary and inspiring. Apart from his daily job as a consultant engineer, Edi regularly gives lectures on philosophy and it’s connection with music. We look forward to hearing more of his playing in the forthcoming months!

 

Want to know more about Piano-Yoga®? Why don’t you visit the Piano-Yoga® club, every 1st Wednesday on the month in London. Click HERE for more details.

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Piano-Yoga® London Club – every first Wednesday of the month!

July 17th, 2015 — 6:00am

Genia_Playing_Julius_Beltrame_JGB_1687_monoPS

Due to popular demand, we are delighted to announce the launch of the Piano-Yoga® Club in London! The Club will give an opportunity to learn in-depth about the Piano-Yoga® method, and get advice directly from its creator, concert pianist and composer, GéNIA. Taking place in a heart of London at one of the oldest sheet music stores, Schott Music, the Club will take place on the first Wednesday of every month, starting from September 2015, 7pm until 8:15pm.

The activity of the Club will involve practical exercises tailored for pianists, together with a short presentation by GéNIA (please see the topic schedule), followed by a Q&A session. If you would like to find out more about piano technique, learn strategies for efficient practice, get tips on dealing with stage fright or learn how to keep relaxed during your practice, the Club will give you this opportunity.

Piano-Yoga® method is based on a synergy between the Russian School of Piano Playing and Eastern Philosophies, especially Yoga, and is suitable for professional musicians and amateurs. Whether you are an advanced pianist, teacher or just starting out, Piano-Yoga® has something to offer to everyone. The more advanced you are, the more you can benefit from the method.

We believe that with our simple and holistic approach, which takes into consideration an individual’s physical, psychological and energetic state, one can learn faster and more easily. Everyone is unique, and Piano-Yoga® takes this into account, by teaching you how to learn through utilising your strength, while gently working on strengthening your weaknesses. Whether you have tight shoulders, tension in your arms, rhythm problems, performance nerves or an inability to organise your piano practice efficiently, Piano-Yoga® can offer a variety of solutions, and teach you how to take charge of your own progress.

Attracting like-minded people, we believe that the Piano-Yoga® Club will be a great place for interactive, creative and non-competitive music making. We are looking forward to meeting you there!

Schedule:
2 September 2015: Why we believe in the efficiency of Piano-Yoga® method
7 October 2015: Why relaxation is so important and so good for you
4 November 2015: How to make adrenaline your best friend!
2 December 2015: Transforming concentration in 5 easy steps
6 January 2016: A simple formula for efficient practice
3 February 2016: How your attitude can dramatically influence your playing and win over your audience
2 March 2016: Why Piano-Yoga® chooses exercise with straight fingers
6 April 2016: How correct handling of shoulders can transform your playing
4 May 2016: How to match your practice to your energetic state
1 June 2016: Utilising your body in piano playing
6 July 2016: Topic to be chosen by participants’ suggestions

Time: 7:00-8:15pm

Location: Schott Music Shop, 48 Great Marlborough Street, London W1F 7BB

Who will best benefit: Intermediate & advanced pianists, professional musicians & teachers.

Practical Advice: you are welcome to ask as many questions as the time allows; be prepared to take your shoes off for a full Piano-Yoga® experience and to play either a whole composition or a part of it on a day (maximum 5 minutes). Please tell us about your wish to play at the beginning of the evening, and we will do our best to schedule you in, although we apologise in advance, as we cannot guarantee it due to the number of requests we may receive.

Fees: £25 ticket per one visit to the club; £120 – pass for 6 visits to the club, valid for one year until September 2016 (£20 per club), £187 pass for the whole year (£17 per club)

Tickets can be purchased HERE in advance via PayPal, telephone or online banking, or on the day via credit or debit-card or cash.

Contact:
e: info@piano-yoga.com
t: +44 (0) 20 7226 9829

‘It really does work . . . Many pianists have been helped with this unorthodox and unusual method.’ Piano Professional

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